ANALISIS TEKNIK GERAK TARI SERAMPANG DUA BELAS DI DIKLAT TARI MATRA ETNIKA ANJUNGAN SUMATERA UTARA TMII JAKARTA

NISA GUSTINI, . (2017) ANALISIS TEKNIK GERAK TARI SERAMPANG DUA BELAS DI DIKLAT TARI MATRA ETNIKA ANJUNGAN SUMATERA UTARA TMII JAKARTA. Sarjana thesis, UNIVERSITAS NEGERI JAKARTA.

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Abstract

Tujuan penelitian ini untuk mendeskripsikananalisis teknik gerak tari serampang dua belas dengan menggunakan deskripsi elemen-elemen tari serampang dua belas dan teknik gerak tari sehingga mendapatkan teknik gerak tari serampang dua belas yang sesungguhnya. Metodologi penelitian yang digunakan adalah metode penelitian kualitatif deskriptif yang dilakukan dengan cara menggambarkan secara sistematis dan mendalam terhadap objek penelitian yaitu analisis teknik gerak tari serampang dua belas. Penelitian dilakukan di Diklat Tari Matra Etnika Anjungan Sumatera Utara. Teknik pengumpulan data berupa wawancara, pengamatan lapangan, studi pustaka, dan studi dokumen. Analisis Teknik Gerak Tari Serampang Dua Belas di Diklat Tari Matra Etnika Anjungan Sumatera Utara menggunakan teknik gerak tari yang didalamnya menganalisis dari tangan, kaki, kepala, dan badan yang didalamnya juga berunsyur kelenturan, keseimbangan, dan kelenturan . Tari Serampang Dua Belas memiliki dua belas ragam yaitu Adapun sikap dan gerak dalam Tari Serampang Dua Belas membahas wajah, badan,langkah, dan lenggang tangan. Tari Serampang Dua Belas memiliki 12 ragam yang masing-masing ragamnya memiliki makna, dikarenakan sesungguhnya Tari Serampang Dua Belas merupakan tarian 3 serangkai yaitu Tari Lenggang Patah Sembilan, Tari Mak Inang dan Tari Serampang Dua Belas sebagai perjalanan sepasang muda mudi. Tari Serampang Dua Belas memiliki dua belas ragam yaitu ragam tari permulaan (pertemua pertama), ragam tari perjalanan (cinta meresap), ragam tari berpusing (memendam cinta), ragam tari gila (menggila), ragam tari jalan bersifat (berbagai syarat tanda cinta), ragam tari lonjak-lonjak (balasan bersyarat), ragam tari sebelah kaki kanan/kiri (menduga), ragam tari langkah tiga melonjak maju/mundur (belum percaya), ragam tari melonjak (jawaban), ragam tari datang�mendatang (pinang meminang), ragam tari rupa-rupa/campuran (mengantar pengantin), ragam tari sapu tangan (pertemuan kasih). The purpose of this study to describe the analysis of dance techniques serampang twelve by using descriptive elements serampang twelve dance and dance techniques that get dance technique serampang twelve true. The research methodology used is descriptive qualitative research method is done by systematically describe and depth of the research object is the analysis of dance techniques serampangtwelve.The study was conducted at the Training Dance Pavilion MatraEtnika North Sumatra. Data collection techniques such as interviews, field observations, literature, and study the document. Technical Analysis Serampang Motion Dance Dance Education and Training of the Twelve in MatraEtnika Pavilion North Sumatra using the technique of dance that includes analyzes of the hands, feet, head, and body which is also berunsyur flexibility, balance, and flexibility. Dance Serampang Twelve have twelve varieties namely The attitude and movement in dance Serampang Twelve discuss face, body, step, and swing arm. Dance Serampang Twelve have 12 varieties, each variety has a meaning, because in fact Serampang Twelve dance is a dance that dance Lenggang 3 series Patah Sembilan, Host and Dance DanceMakSerampang Twelve as a traveling young couple. Dance Serampang Twelve have twelve varieties are diverse dance starters (a meeting first), the variety of dance journey (love pervasive), the variety of dance spin (harbored love), the variety of dance crazy (crazy), the variety of dance street is (the terms sign of love) , the variety of dance bounced (reply conditional), the variety of dance foot right / left (suspect), the variety of dance steps three surged forward / backward (not believe), the variety of dance surged (answer), the variety of dance come ture (areca woo ), the variety of dance miscellaneous/ mixed (escort the bride), the variety of dance handkerchief (meeting of love).

Item Type:	Thesis (Sarjana)
Additional Information:	1) Dinny Devi Triana, M.pd 2) Deden Haerudin, S.Sn, M.Sn
Subjects:	Kesenian > Seni Tari
Divisions:	FBS > S1 Pendidikan Tari
Depositing User:	sawung yudo
Date Deposited:	26 May 2022 03:42
Last Modified:	26 May 2022 03:42
URI:	http://repository.unj.ac.id/id/eprint/29047

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