STRATEGI USMAR ISMAIL DALAM MEMBANGUN INDUSTRI PERFILMAN NASIONAL : DARI FILM IDEALIS KE PRAGMATIS (1953-1970)

MUHAMMAD FAHREZIANSYAH RAMADHAN, . (2025) STRATEGI USMAR ISMAIL DALAM MEMBANGUN INDUSTRI PERFILMAN NASIONAL : DARI FILM IDEALIS KE PRAGMATIS (1953-1970). Sarjana thesis, UNIVERSITAS NEGERI JAKARTA.

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Abstract

Penelitian ini mengkaji pendekatan pragmatis Usmar Ismail dalam mengembangkan industri film nasional Indonesia. Meskipun memiliki visi idealis yang kuat, Usmar Ismail memahami pentingnya menyeimbangkan integritas artistik dengan nilai jual komersial. Penelitian ini bertujuan mengungkapkan bagaimana Usmar Ismail menghadapi kompleksitas industri film, terutama selama tahun 1953 sampai 1957, ketika film-film komersial mendominasi pasar. Metode yang digunakan dalam penelitian ini adalah metode historis. Sumber penelitian memakai sumber primer yaitu, dokumen serta tulisan-tulisan Usmar Ismail dan untuk sumber sekunder adalah buku, artikel, dan jurnal ilmiah yang berkaitan dengan Usmar Ismail. Hasil penelitian ini menunjukkan bahwa di awal kariernya, Usmar Ismail dikenal sebagai sineas yang sangat idealis, menjunjung tinggi nilai seni dalam setiap karya filmnya. Ia menolak kompromi dengan aspek komersial dan fokus pada pembuatan film-film yang sarat nilai makna. Namun, tekanan ekonomi yang dihadapinya pada periode selanjutnya memaksanya untuk lebih pragmatis, menggabungkan aspek idealisme dan komersial demi keberlangsungan produksi film, hal ini dikarenakan selera masyarakat Indonesia yang lebih menyukai tontonan dan hiburan yang ringan. Meskipun demikian, semangat berkaryanya tidak pernah padam. Selanjutnya, kondisi politik dan sosial yang tidak stabil pada dekade 1960-an serta persaingan ketat dengan film asing semakin menghambat aktivitasnya di dunia perfilman. Usmar Ismail, yang sempat terlibat dalam dunia politik, berusaha kembali berkonsentrasi pada film namun berbagai kendala membuatnya semakin terbatas. Usmar Ismail wafat pada awal tahun 1971 di usia yang belum genap 50 tahun. Kepergiannya menjadi kehilangan besar bagi perfilman Indonesia, namun semangat juangnya dalam membangun industri film nasional terus menginspirasi generasi penerus, sehingga pada akhirnya beliau dianugerahkan gelar Pahlawan Nasional oleh Pemerintah Indonesia.Kata Kunci: Industri Film Indonesia, Idealisme, Perfini, Pragmatisme, Sinema Komersial, Usmar Ismail.***** This study examines Usmar Ismail's pragmatic approach in developing the Indonesian national film industry. Despite having a strong idealistic vision, Usmar Ismail understood the importance of balancing artistic integrity with commercial selling value. This study aims to reveal how Usmar Ismail faced the complexity of the film industry, especially during 1953 to 1957, when commercial films dominated the market. The method used in this study is the historical method. The research sources use primary sources, namely documents and writings of Usmar Ismail and for secondary sources are books, articles, and scientific journals related to Usmar Ismail. The results of this study indicate that at the beginning of his career, Usmar Ismail was known as a very idealistic filmmaker, upholding artistic values in every film he made. He refused to compromise with commercial aspects and focused on making films that were full of meaningful values. However, the economic pressures he faced in the following period forced him to be more pragmatic, combining idealism and commercial aspects for the sake of the sustainability of film production, this was due to the tastes of the Indonesian people who preferred light entertainment and entertainment. Nevertheless, his enthusiasm for his work never waned. Furthermore, the unstable political and social conditions in the 1960s and the tight competition with foreign films further hampered his activities in the film industry. Usmar Ismail, who had been involved in politics, tried to concentrate on film again but various obstacles made him increasingly limited. Usmar Ismail died in early 1971 at the age of not yet 50 years. His passing was a great loss for Indonesian film, but his fighting spirit in building the national film industry continued to inspire the next generation, so that in the end he was awarded the title of National Hero by the Indonesian Government. Keywords: Indonesian Film Industry, Idealism, Perfini, Pragmatism, Commercial Cinema, Usmar Ismail.

Item Type:	Thesis (Sarjana)
Additional Information:	1). Dr. Nur'aeni Marta, S.S.,M.Hum. ; 2). Dr. Kurniawati, M.Si.
Subjects:	Ilmu Sejarah > Kronologis Sejarah Ilmu Sejarah > Biografi Sejarah Dunia > Indonesia Olah Raga dan Seni Pertunjukan > Film, Sinema
Divisions:	FIS > S1 Pendidikan Sejarah
Depositing User:	Users 26922 not found.
Date Deposited:	26 Feb 2025 04:24
Last Modified:	26 Feb 2025 04:24
URI:	http://repository.unj.ac.id/id/eprint/53615

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