A TRANSLATION CRITICISM OF CONCEPTUAL METAPHORS IN CIGARETTE GIRL: A LINGUISTIC EVALUATION BASED ON REISS’S FRAMEWORK

SHINTA AYU NUR ARIFIN, . (2025) A TRANSLATION CRITICISM OF CONCEPTUAL METAPHORS IN CIGARETTE GIRL: A LINGUISTIC EVALUATION BASED ON REISS’S FRAMEWORK. Sarjana thesis, UNIVERSITAS NEGERI JAKARTA.

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Abstract

Penelitian ini menganalisis penerjemahan metafora dalam novel Gadis Kretek dan terjemahan bahasa Inggrisnya Cigarette Girl, menggunakan model fungsionalis Reiss dan teori metafora konseptual Lakoff & Johnson. Dengan menggunakan metode deskriptif kualitatif, penelitian ini bertujuan mengidentifikasi jenis metafora konseptual (struktural, ontologis, orientasional) serta menilai kelestarian aspek semantik, leksikal, gramatikal, dan stilistik dalam terjemahan metafora konseptual tersebut. Hasil analisis menunjukkan bahwa Cigarette Girl cukup berhasil mempertahankan makna konseptual, terutama terkait kretek, memori, dan keluarga. Namun, aspek diksi dan gaya penceritaan mengalami penurunan signifikan. Novel asli menggunakan perpindahan sudut pandang yang menciptakan kedalaman emosional, sementara terjemahan hanya memakai sudut pandang orang ketiga terbatas, sehingga mengurangi lapisan narasi dan nuansa artistik. Sebagai form-focused text, Gadis Kretek menuntut kesetiaan tidak hanya pada makna, tetapi juga gaya. Dengan demikian, meskipun terjemahan ini menyampaikan esensi budaya, ia belum sepenuhnya mampu mereplikasi pengalaman sastra pembaca sumber. **** This study analyzes the translation of metaphors in the novel Gadis Kretek and its English version, Cigarette Girl, using Reiss’s functionalist model combined with Lakoff and Johnson’s conceptual metaphor theory. Employing a descriptive qualitative method, the research aims to identify the types of conceptual metaphors (structural, ontological, orientational) and assess how semantic, lexical, grammatical, and stylistic elements are preserved in the conceptual metaphor translation. The results show that Cigarette Girl is relatively successful in maintaining conceptual meanings, particularly those related to kretek, memory, and family. However, there is a significant decline in diction and narrative style. The original novel employs shifting perspectives, creating emotional depth and narrative layers, while the translation consistently uses a third-person limited viewpoint, reducing its artistic nuance. As a form-focused text, Gadis Kretek requires fidelity not only to meaning but also to style. Thus, although the translation conveys cultural essence, it does not fully replicate the literary experience intended for the original readers.

Item Type: Thesis (Sarjana)
Additional Information: 1). Ati Sumiati, M. Hum 2). Nurina Azyyati, M. Hum
Subjects: Bahasa dan Kesusastraan > Sastra Inggris
Divisions: FBS > S1 Sastra Inggris
Depositing User: Shinta Ayu Nur Arifin .
Date Deposited: 22 Aug 2025 00:51
Last Modified: 22 Aug 2025 00:51
URI: http://repository.unj.ac.id/id/eprint/61870

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