MUKHTAR ABDULLAH, . (2026) KEKERASAN SIMBOLIK REZIM SENSOR DALAM NOVEL HĀRIS SAṬH AL-‘ĀLAM KARYA BOTHYANA AL-ESSA: PERSPEKTIF PIERRE BOURDIEU. Sarjana thesis, UNIVERSITAS NEGERI JAKARTA.
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Abstract
Mukhtar Abdullah 1205619109. "Kekerasan Simbolik Rezim Sensor Dalam Novel Hāris Saṭh Al- ‘Ālam Karya Bothyana Al-Essa: Perspektif Pierre Bourdieu." Skripsi. Jakarta: Jurusan Pendidikan Bahasa Arab, Fakultas Bahasa dan Seni, Universitas Negeri Jakarta, 2026 Penelitian ini bertujuan untuk mengungkap praktik kekerasan simbolik yang dilakukan oleh rezim sensor sebagaimana tampak dalam novel Ḥāris Saṭh al-‘Ālam karya Bothayna Al-Essa. Berbeda dengan penelitian sebelumnya yang umumnya berfokus pada penindasan fisik dalam sastra Arab, penelitian ini menawarkan model sastra penjara melalui penerapan teori kekerasan simbolik Pierre Bourdieu. Penelitian ini menggunakan metode kualitatif deskriptif melalui analisis isi dengan teknik pembacaan kritis. Hasil penelitian menunjukkan tiga simpulan utama. Pertama, sensor dijalankan secara preventif melalui doktrin "Tritunggal Haram" (Tuhan, Pemerintah, dan Seks) serta pemusnahan literatur secara massal. Kedua, kekerasan simbolik bermanifestasi dalam lima bentuk praktis: dominasi birokrasi, monopoli tafsir, pendisiplinan jasmani dan naluri pegawai, patologisasi imajinasi anak-anak sebagai penyakit jiwa, serta keterasingan eksistensial. Ketiga, rezim mereproduksi kekerasan simbolik tanpa paksaan fisik melalui konvergensi institusi arena dan manipulasi modal, yang secara bertahap membentuk habitus mekanis bagi para pegawai hingga membuahkan doxa yang memandang imajinasi sebagai penyakit psikologis. Rantai penindasan ini pada akhirnya mengalami keretakan akibat konflik batin yang dihadapi tokoh utama saat bersentuhan dengan literatur ilegal, yang kemudian berujung pada perlawanan multi-level untuk memulihkan kebebasan berpikir. Kata Kunci: Kekerasan Simbolik, Sensor Buku, Pierre Bourdieu, Ḥāris Saṭh al-‘Ālam. ***** This research aims to uncover the practices of symbolic violence exercised by the censorship regime as portrayed in the novel Ḥāris Saṭh al-‘Ālam by Bothayna Al-Essa. Unlike previous studies that generally focused on physical oppression in Arabic literature, this research offers a "prison literature" model by applying Pierre Bourdieu’s theory of symbolic violence. This study employs a descriptive qualitative method through content analysis using critical reading techniques. The results of the study reveal three main conclusions. First, censorship is exercised preventively through the "Forbidden Trinity" doctrine (God, Government, and Sex) and the mass destruction of literature. Second, symbolic violence manifests in five practical forms: bureaucratic dominance, monopoly of interpretation, disciplining of employees' bodies and instincts, pathologizing children's imagination as mental illness, and existential alienation. Third, the regime reproduces symbolic violence without physical coercion through the convergence of field institutions and capital manipulation, which gradually shapes a mechanical habitus for employees, resulting in a doxa that views imagination as a psychological disorder. This chain of oppression eventually fractures due to the internal conflict faced by the protagonist upon encountering illegal literature, leading to multi-level resistance to restore freedom of thought. Keywords: Symbolic Violence, Book Censorship, Pierre Bourdieu, Ḥāris Saṭh al-‘Ālam.
| Item Type: | Thesis (Sarjana) |
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| Additional Information: | 1). Andri Ilham, S.S., M.A.Hum. 2). Mia Mutmainah, M.Hum. |
| Subjects: | Ilmu Sosial > Sosiologi Bahasa dan Kesusastraan > Bahasa Arab Bahasa dan Kesusastraan > Sastra Arab |
| Divisions: | FBS > S1 Pendidikan Bahasa Arab |
| Depositing User: | Mukhtar Abdullah . |
| Date Deposited: | 20 Aug 2026 09:11 |
| Last Modified: | 20 Aug 2026 09:11 |
| URI: | http://repository.unj.ac.id/id/eprint/72513 |
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