CITRA AMALIA PUTRI SUTIYONO, . (2026) ANALISIS NARATIF WALTER FISHER DALAM FILM THE KING'S WARDEN (2026). Sarjana thesis, UNIVERSITAS NEGERI JAKARTA.
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Abstract
ABSTRAK Penelitian menggunakan pendekatan kualitatif deskriptif dengan paradigma interpretatif dan strategi analisis naratif dengan perspektif teori Paradigma Naratif Walter Fisher. Data dikumpulkan melalui observasi nonpartisipan dan dokumentasi terhadap tiga belas unit analisis yang dipilih secara purposif, kemudian dianalisis menggunakan model interaktif Miles, Huberman, dan Saldaña (2014) dengan mengacu pada enam subindikator turunan dari dua dimensi Fisher: koherensi naratif (struktural, material, karakter) dan fidelitas naratif (logika nilai, konsekuensi ideal, relevansi dunia nyata). Hasil penelitian menunjukkan bahwa koherensi naratif terwujud melalui satu peristiwa pemicu tunggal yang menggerakkan seluruh rangkaian sebab-akibat cerita secara logis, konsistensi tiga lapisan dunia cerita (latar fisik, atmosfer politik, ekonomi warga), serta tiga pola perkembangan watak tokoh utama yang saling melengkapi. Fidelitas naratif, di sisi lain, dibangun melalui tindakan nyata karakter yang merepresentasikan nilai keberanian, kesetiaan, dan pengorbanan, diperkuat oleh konsekuensi moral berlapis dan penayangan lima teks sejarah konfirmatif di akhir film yang mengubah posisi audiens dari penonton drama menjadi saksi peristiwa sejarah. Indikator fidelitas relevansi dunia nyata terpenuhi pada seluruh tiga belas unit analisis, menjadikannya indikator paling dominan dalam film ini. Penelitian ini menyimpulkan bahwa koherensi naratif yang kokoh dan fidelitas naratif berbasis tindakan saling menopang dan memungkinkan film The King's Warden (2026) melampaui batas budaya serta waktu, sehingga dapat dinilai sebagai narasi yang baik (good story) menurut kriteria rasionalitas naratif Fisher. Kata Kunci: Paradigma Naratif, Walter Fisher, Koherensi Naratif, Fidelitas Naratif, The King’s Warden (2026). ***** ABSTRACT This research is grounded in Walter Fisher's Narrative Paradigm assumption that people are more readily persuaded by a logical, value-laden story than by rational argument alone, and in the distinctiveness of the Korean sageuk film The King's Warden (2026), which centers its narrative on Eom Heung-do, a minor and historically ambiguous figure. The study aims to analyze how narrative coherence and narrative fidelity are constructed within the film. Using a descriptive qualitative approach grounded in the interpretive paradigm and a narrative analysis by Walter Fisher’s perspective of Narrative Paradigm Theory,data were collected through non-participant observation and documentation of thirteen purposively selected analysis units, then analyzed using the Miles, Huberman, and Saldaña (2014) interactive model, guided by six sub-indicators derived from Fisher's two dimensions: narrative coherence (structural, material, character) and narrative fidelity (value logic, ideal consequence, real-world relevance). The findings show that narrative coherence is established through a single trigger event that logically drives the entire causal chain of the story, sustained consistency across three story-world layers (physical setting, political atmosphere, and villager economy), and three complementary patterns of main-character development. Narrative fidelity, meanwhile, is conveyed through characters' concrete actions embodying courage, loyalty, and sacrifice, reinforced by layered moral consequences and by five confirmatory historical texts shown at the film's end, which reposition the audience from drama spectators to witnesses of history. The real-world relevance indicator was fulfilled across all thirteen analysis units, making it the most dominant indicator in the film. The study concludes that robust narrative coherence and action-based narrative fidelity reinforce one another, enabling The King's Warden (2026) to transcend cultural and temporal boundaries, qualifying it as a good story under Fisher's criteria of narrative rationality. Keywords: Narrative Paradigm, Walter Fisher, Narrative Coherence, Narrative Fidelity, The King’s Warden (2026).
| Item Type: | Thesis (Sarjana) |
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| Additional Information: | 1). Dr. Dini Safitri, M.Si. |
| Subjects: | Ilmu Sosial > Ilmu Sosial (Umum) Ilmu Sosial > Komunikasi Olah Raga dan Seni Pertunjukan > Film, Sinema |
| Divisions: | FIS > S1 Ilmu Komunikasi |
| Depositing User: | Citra Amalia Putri Sutiyono . |
| Date Deposited: | 26 Aug 2026 02:18 |
| Last Modified: | 26 Aug 2026 02:18 |
| URI: | http://repository.unj.ac.id/id/eprint/73114 |
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