PROSES PRODUKSI FILM SCORING ARSANUKA KARYA MAHASISWA KKL PENDIDIKAN MUSIK UNJ ANGKATAN 2018

ILHAM RABANI, . (2025) PROSES PRODUKSI FILM SCORING ARSANUKA KARYA MAHASISWA KKL PENDIDIKAN MUSIK UNJ ANGKATAN 2018. Sarjana thesis, UNIVERSITAS NEGERI JAKARTA.

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Abstract

Tujuan penelitian adalah mendeskripsikan secara sistematis dan mendalam proses produksi film scoring dalam film Arsanuka, karya mahasiswa Kuliah Kerja Lapangan (KKL) Program Studi Pendidikan Musik Universitas Negeri Jakarta angkatan 2018. Penelitian ini penting karena dilatar belakangi oleh kenyataan bahwa produksi musik film pada tingkat pendidikan tinggi masih jarang mendapat perhatian serius, meskipun potensinya sangat besar dalam pembelajaran bebasih projek. Metode penelitian ini menggunakan pendekatan kualitatif deskriptif dengan teknik pengumpulan data berupa wawancara, dokumentasi, dan studi pustaka. Objek penelitian adalah proses produksi musik dalam film Arsanuka yang dianalisis melalui enam tahapan utama dalam teori Richard Davis, yakni spotting, composing, orchestrating, recording, syncing, dan mixing-mastering. Hasil penelitian menunjukkan bahwa proses film scoring dalam Arsanuka berhasil dilakukan secara runtut dan kolaboratif meskipun menghadapi tantangan signifikan, seperti keterbatasan fasilitas rekaman, adaptasi karena pandemi covid-19, dan belum adanya mata kuliah khusus tentang musik film pada saat produksi berlangsung. Musik dalam film ini disusun bukan hanya sebagai pengiring visual, tetapi menjadi tulang punggung narasi, yang dibuktikan dengan penggunaan musik sebagai pengganti dialog dan penentu emosi cerita. Proses spotting dilakukan sejak penulisan naskah, menunjukkan pendekatan music-driven dalam konstruksi cerita, sementara komposisi musik memanfaatkan idiom musik Sunda yang kuat, diperkaya dengan teknik leitmotif, orkestrasi campuran, serta metode rekaman langsung dan digital. Penelitian ini diharapkan dapat memberikan kontribusi akademik dalam pengembangan studi musik film serta menjadi referensi praktis bagi mahasiswa dan sineas dalam menyusun film scoring yang efektif dan kontekstual.***** The purpose of this research is to systematically and thoroughly describe the film scoring production process in Arsanuka, a film created by students of the Field Work Course (Kuliah Kerja Lapangan/KKL) from the Music Education Study Program at Universitas Negeri Jakarta, class of 2018. This research is considered important due to the lack of serious attention toward film music production at the higher education level, despite its significant potential in project-based learning. The Research Method used is a descriptive qualitative approach with data collected through semi-structured interviews, documentation, and literature review. The object of the research is the music production process in the film Arsanuka, which is analyzed through six main stages based on Richard Davis’s theory: spotting, composing, orchestrating, recording, syncing, and mixing-mastering. The results indicate that the film scoring process in Arsanuka was successfully carried out in a structured and collaborative manner, despite facing major challenges such as limited recoding facilities, adaptations due to the covid-19 pandemic, and the absence of a dedicated film music course at the time of production. The music in this film was not merely composed as a background element, but served as the narrative backbone, replacing most of the dialogue and defining the emotional structure of the story. The spotting process was conducted during the scriptwriting phase, reflecting a music-driven approach to storytelling. The musical composition incorporates strong Sundanese idioms, enriched with leitmotif techniques, hybrid orchestration, and a combination of live and digital recording methods. This research is expected to contribute academically to the development of film music studies and serve as a practical reference for students and filmmakers in crafting effective and contextually relevant film scoring.

Item Type:	Thesis (Sarjana)
Additional Information:	1). R.M. Aditya Andriyanto, S.Pd., M.Sn. ; 2). Gandung Joko Srimoko, S.Sn., M.Sn.
Subjects:	Seni Musik > Musik Seni Musik > Jenis, Aliran Musik Olah Raga dan Seni Pertunjukan > Film, Sinema
Divisions:	FBS > S1 Pendidikan Seni Musik
Depositing User:	Ilham Rabani .
Date Deposited:	24 Oct 2025 02:14
Last Modified:	24 Oct 2025 02:14
URI:	http://repository.unj.ac.id/id/eprint/62705

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