PENGEMBANGAN DESAIN BATIK NITIK YOGYAKARTA MELALUI PENERAPAN TEKNIK CAP BERGAYA KONTEMPORER

KEZYA LIORA CLARIBELL, . (2026) PENGEMBANGAN DESAIN BATIK NITIK YOGYAKARTA MELALUI PENERAPAN TEKNIK CAP BERGAYA KONTEMPORER. Diploma thesis, UNIVERSITAS NEGERI JAKARTA.

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Abstract

Batik nitik merupakan warisan budaya batik tradisional Yogyakarta dengan karakter visual khas berupa motif titik-titik geometris. Namun, perkembangan desainnya cenderung mempertahankan pola dan warna tradisional, sehingga kurang relevan dengan generasi muda. Penelitian ini bertujuan menilai estetika pengembangan desain batik nitik bergaya kontemporer dengan fokus pada aspek kesatuan (unity) menurut teori Monroe C. Beardsley. Menggunakan pendekatan kuantitatif pre-eksperimental, lima desain batik nitik dinilai oleh empat panelis ahli berdasarkan 15 sub-indikator kesatuan. Hasil penelitian menunjukkan bahwa pengembangan desain batik nitik bergaya kontemporer memperoleh nilai akhir 81% dengan kategori sangat baik pada aspek kesatuan (unity). Nilai unsur desain mencapai 80,5% yang menunjukkan pengolahan garis, bentuk, dan warna termasuk gradasi dan intensitas chroma tersusun konsisten dan harmonis. Sementara itu, nilai prinsip desain sebesar 81,5% mengindikasikan bahwa penerapan harmoni, irama, dan kontras sangat efektif dalam memperkuat kesatuan visual. Desain 1 memperoleh nilai tertinggi (86%), sementara Desain 3 dan Desain 5 juga dinilai sangat baik. Temuan ini menunjukkan bahwa kombinasi teknik cap dan kuas, pemilihan warna yang tepat, penerapan elemen organik secara proporsional, serta konsistensi garis dan gradasi warna mampu meningkatkan kualitas visual batik nitik tanpa menghilangkan identitas tradisionalnya. Dengan demikian, pengembangan desain batik nitik bergaya kontemporer melalui penerapan teknik cap dapat menjadi alternatif inovatif dalam upaya pelestarian dan revitalisasi batik tradisional agar lebih relevan dengan perkembangan tren dan menarik bagi generasi muda, meskipun masih terdapat peluang untuk mengoptimalkan variasi elemen organik, eksplorasi palet warna, dan keselarasan harmonis antara elemen tradisional dan kontemporer. ******* Batik nitik is a traditional batik cultural heritage of Yogyakarta characterized by distinctive geometric dot-patterned motifs. However, its design development tends to maintain traditional patterns and colors, becoming less relevant to younger generations. This research aims to assess the aesthetics of contemporary-styled batik nitik design development focusing on the unity aspect according to Monroe C. Beardsley's aesthetic theory. Using a pre-experimental quantitative approach, five batik nitik designs were evaluated by four expert panelists based on 15 unity sub-indicators. The research results demonstrated that the development of contemporary-styled batik nitik design achieved a final score of 81% with an excellent category in the unity aspect. The design elements value reached 80.5%, indicating that the processing of lines, shapes, and colors including gradation and chroma intensity are consistent and harmonious. Meanwhile, the design principles value of 81.5% indicated that the application of harmony, rhythm, and contrast were highly effective in strengthening visual unity. Design 1 achieved the highest score (86%), while Design 3 and Design 5 were also rated excellent. These findings demonstrate that the combination of cap printing and brush techniques, appropriate color selection, proportional application of organic elements, as well as line consistency and color gradation effectively enhance the visual quality of batik nitik without compromising its traditional identity. Therefore, the development of contemporary-styled batik nitik design through cap printing application can serve as an innovative alternative in preserving and revitalizing traditional batik to remain relevant with contemporary trends and appealing to younger generations, although there remain opportunities to optimize the variation of organic elements, exploration of color palettes, and harmonious balance between traditional and contemporary elements.

Item Type:	Thesis (Diploma)
Additional Information:	Dra. Eneng Lutfi Zahra, M.Pd
Subjects:	Desain Kostum, Tata Busana > Tata Busana
Divisions:	FT > D IV Desain Mode
Depositing User:	Users 32641 not found.
Date Deposited:	28 Jan 2026 07:54
Last Modified:	28 Jan 2026 07:54
URI:	http://repository.unj.ac.id/id/eprint/63957

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