KESANTUNAN TUTUR DIREKTIF FILM BIG WORLD MENURUT ZHOU & ZHANG (2018)

DEVI NUR SABILA, . (2026) KESANTUNAN TUTUR DIREKTIF FILM BIG WORLD MENURUT ZHOU & ZHANG (2018). Sarjana thesis, UNIVERSITAS NEGERI JAKARTA.

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Abstract

Penelitian ini mengkaji kesantunan tindak tutur direktif dalam film Big World (小小的我) berdasarkan teori Zhou dan Zhang (2018). Tutur direktif berpotensi menimbulkan kesan memaksa apabila tidak disampaikan secara tepat, sehingga perlu dianalisis dalam kerangka kesantunan bahasa Mandarin yang kontekstual dan berbasis budaya. Penelitian ini bertujuan untuk mendeskripsikan jenis tindak tutur direktif yang digunakan oleh tokoh Liu Chunhe dan neneknya serta mengklasifikasikan tuturan tersebut berdasarkan empat maxim kesantunan Zhou dan Zhang, yaitu Modesty, Respectfulness, Friendliness, dan Refinement. Penelitian ini menggunakan metode kualitatif dengan pendekatan deskriptif. Data berupa tuturan direktif kedua tokoh yang diperoleh melalui teknik dokumentasi, simak, dan catat, kemudian dianalisis melalui reduksi data, penyajian data, dan penarikan kesimpulan. Hasil penelitian menunjukkan bahwa Liu Chunhe menuturkan 23 tuturan direktif yang didominasi oleh ajakan, sedangkan nenek menuturkan 50 tuturan dengan dominasi perintah. Dari aspek kesantunan, tuturan keduanya didominasi oleh Friendliness Maxim, sedangkan Modesty Maxim hanya muncul pada tuturan Chunhe. Temuan ini menunjukkan bahwa kesantunan tutur direktif dalam film bersifat kontekstual dan berorientasi pada relasi sosial serta norma budaya Tiongkok modern. ***** This study examines the politeness of directive speech acts in the film Big World (小小的我) based on Zhou and Zhang’s (2018) politeness framework. Directive speech acts have the potential to convey coerciveness if not expressed appropriately; therefore, they need to be analyzed within a contextual and culturally grounded framework of Mandarin politeness. This study aims to describe the types of directive speech acts used by the characters Liu Chunhe and his grandmother and to classify these utterances according to Zhou and Zhang’s four maxims, Modesty, Respectfulness, Friendliness, and Refinement. This research employs a qualitative descriptive method. The data consist of directive utterances produced by the two characters, collected through documentation, observation, and note-taking techniques. The data were analyzed through data reduction, data display, and conclusion drawing. The findings reveal that Liu Chunhe produces 23 directive utterances, predominantly invitations, while the grandmother produces 50 directive utterances, mainly commands. In terms of politeness, most utterances fall under the Friendliness Maxim, whereas the Modesty Maxim appears only in Chunhe’s speech. These findings indicate that the politeness of directive speech acts in the film is contextual and oriented toward social relationships and contemporary Chinese cultural norms.

Item Type:	Thesis (Sarjana)
Additional Information:	1). Rendy Aditya, B.TCFL., M.Pd. ; 2). Aprilia Ruby Wikarti, S.Hum., M.A.
Subjects:	Bahasa dan Kesusastraan > Bahasa Mandarin
Divisions:	FBS > S1 Pendidikan Bahasa Mandarin
Depositing User:	Users 33359 not found.
Date Deposited:	01 Mar 2026 11:00
Last Modified:	01 Mar 2026 11:00
URI:	http://repository.unj.ac.id/id/eprint/65785

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