DINAMIKA BOOM BAP DALAM RAP HIP-HOP DI INDONESIA (1994-2020)

DIMAS RAMADHAN, . (2026) DINAMIKA BOOM BAP DALAM RAP HIP-HOP DI INDONESIA (1994-2020). Sarjana thesis, UNIVERSITAS NEGERI JAKARTA.

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Abstract

Penelitian ini bertujuan untuk mengkaji dinamika boom bap dalam rap Hip-hop di Indonesia pada periode 1994 hingga 2020. Genre rap boom bap, yang dikenal melalui pola ritmis khas pada kick drum dan snare drum, berkembang di Indonesia tidak hanya sebagai fenomena musik, tetapi juga sebagai bentuk ekspresi sosial, politik, dan budaya generasi muda perkotaan. Penelitian ini bertujuan untuk mengkaji dinamika evolusi genre rap boom bap dari era old school hingga new school, serta mengkaji bagaimana perkembangan komunitas Hip-hop memengaruhi proses penerimaan, produksi, dan distribusi genre tersebut di Indonesia. Penelitian ini menggunakan metode sejarah dengan pendekatan deskriptif-naratif, yang meliputi tahapan pemilihan topik, pengumpulan sumber, verifikasi, interpretasi, dan historiografi. Sumber primer berupa wawancara dengan musisi Hip-hop Indonesia, yaitu Saykoji dan Tuan Tigabelas, serta surat kabar, foto, video, dan album musik sezaman. Sumber sekunder mencakup buku, jurnal, majalah, dan artikel yang relevan. Hasil penelitian menunjukkan bahwa dinamika boom bap di Indonesia terbagi dalam tiga periode utama. Periode 1994-2000 ditandai oleh fase pembentukan identitas awal melalui kemunculan figur pelopor seperti Iwa K dan Denada, di mana boom bap tidak sekadar diadopsi tetapi segera dipertemukan dengan kondisi sosialpolitik Orde Baru yang membentuk karakter ekspresinya. Periode 2000-2010 merupakan masa konsolidasi estetika dan pembentukan identitas lokal, yang ditandai oleh menguatnya kesadaran akan pentingnya lokalisasi, perkembangan komunitas independen, serta pengaruh teknologi digital dalam produksi musik. Periode 2010-2020 memperlihatkan transformasi boom bap melalui adaptasi digital dan hibridisasi genre, di mana kolektif kreatif seperti ONAR dan Westwew memainkan peran penting dalam mempertahankan relevansi boom bap di tengah dominasi trap dan gaya Hip-hop modern lainnya. Pandemi COVID-19 pada 2020 turut mempercepat digitalisasi ekosistem musik Hip-hop Indonesia secara keseluruhan. ***** This study aims to examine the dynamics of boom bap hip-hop rap in Indonesia from 1994 to 2020. The boom bap rap genre, known for its distinctive rhythmic patterns on the kick drum and snare drum, developed in Indonesia not only as a musical phenomenon, but also as a form of social, political, and cultural expression of the urban youth generation. This study aims to examine the dynamics of the evolution of the boom bap rap genre from the old school era to the new school era, as well as to examine how the development of the hip-hop community has influenced the acceptance, production, and distribution of the genre in Indonesia. This study employs a historical method with a descriptive-narrative approach, encompassing the stages of topic selection, source collection, verification, interpretation, and historiography. Primary sources consist of interviews with Indonesian Hip-hop musicians, namely Saykoji and Tuan Tigabelas, as well as contemporary newspapers, photographs, videos, and music albums. Secondary sources include books, journals, magazines, and relevant articles. The research findings show that the dynamics of boom bap in Indonesia are divided into three main periods. The 1994-2000 period was marked by the initial identity formation phase through the emergence of pioneering figures such as Iwa K and Denada, where boom bap was not only adopted but directly confronted the sociopolitical conditions of the New Order that shaped its expressive character. The 2000-2010 period was a time of aesthetic consolidation and the formation of local identities, marked by a growing awareness of the importance of localization, the development of independent communities, and the influence of digital technology in music production. The 2010-2020 period witnessed the transformation of boom bap through digital adaptation and genre hybridization, where creative collectives such as ONAR and Westwew played a crucial role in maintaining boom bap's relevance amidst the dominance of trap and other modern Hip-hop styles. The COVID-19 pandemic in 2020 also accelerated the digitalization of the Indonesian Hip-hop music ecosystem as a whole.

Item Type:	Thesis (Sarjana)
Additional Information:	1). Humaidi, M.Hum. ; 2). Firdaus Hadi Santosa, M.Pd.
Subjects:	Ilmu Sejarah > Kronologis Sejarah Sejarah Dunia > Sejarah (Umum) > Sejarah Modern Sejarah Dunia > Indonesia Seni Musik > Musik Seni Musik > Literatur Musik Seni Musik > Jenis, Aliran Musik Olah Raga dan Seni Pertunjukan > Seni Pertunjukan
Divisions:	FIS > S1 Pendidikan Sejarah
Depositing User:	Dimas Ramadhan .
Date Deposited:	15 Jul 2026 09:23
Last Modified:	15 Jul 2026 09:23
URI:	http://repository.unj.ac.id/id/eprint/66663

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