Women’s Oppression and Gothic Elements as Reflected in Tim Burton’s Corpse Bride (2005)

ZHELVA SYAZWINA PUTRI, . (2026) Women’s Oppression and Gothic Elements as Reflected in Tim Burton’s Corpse Bride (2005). Sarjana thesis, UNIVERSITAS NEGERI JAKARTA.

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Abstract

Penelitian ini mengkaji representasi penindasan perempuan melalui unsur-unsur Gothic dalam film Corpse Bride (2005) karya Tim Burton. Penelitian ini bertujuan mengidentifikasi unsur-unsur Gothic yang ditampilkan dalam film serta menganalisis bagaimana unsur-unsur tersebut merepresentasikan penindasan yang dialami oleh tokoh perempuan, yaitu Victoria Everglot dan Emily. Penelitian ini menggunakan pendekatan kualitatif deskriptif dengan analisis tekstual dan visual. Data diperoleh dari adegan, dialog, subtitle, dan unsur visual yang dipilih dari film, kemudian dianalisis menggunakan teori semiotika Roland Barthes, teori Gothic Fred Botting, konsep the Other Simone de Beauvoir, dan teori patriarki Sylvia Walby. Hasil penelitian menunjukkan bahwa unsur-unsur Gothic, seperti confinement, supernatural, ruang domestik yang opresif, kerentanan perempuan, otoritas institusional, dan penderitaan psikologis, merepresentasikan penindasan perempuan. Penelitian ini menyimpulkan bahwa Corpse Bride memanfaatkan konvensi Gothic tidak hanya sebagai unsur estetis, tetapi juga sebagai kritik terhadap struktur patriarki yang membatasi agensi, identitas, dan kebebasan perempuan. ***** This study examines the representation of women's oppression through Gothic elements in Tim Burton's Corpse Bride (2005). It aims to identify the Gothic elements depicted in the film and analyze how they represent women's oppression experienced by the female characters, Victoria Everglot and Emily. This research employs a qualitative descriptive approach using textual and visual analysis. The data were collected from selected scenes, dialogues, subtitles, and visual elements in the film and analyzed using Roland Barthes' semiotic theory, Fred Botting's Gothic theory, Simone de Beauvoir's concept of the Other, and Sylvia Walby's theory of patriarchy. The findings reveal that Gothic elements, such as confinement, supernatural imagery, oppressive domestic space, female vulnerability, institutional authority, and psychological suffering, symbolize women's oppression. Victoria experiences oppression through arranged marriage, family control, and restricted autonomy, while Emily experiences patriarchal violence and objectification. The study concludes that Corpse Bride employs Gothic conventions not only as aesthetic features but also as a critique of patriarchal structures that restrict women's agency, identity, and freedom.

Item Type:	Thesis (Sarjana)
Additional Information:	1). Dwi Linda Kusuma, S.S., M.Hum. 2). Hasnini Hasra, S.S., M.Hum.
Subjects:	Ilmu Sosial > Wanita,Pernikahan dan Keluarga Bahasa dan Kesusastraan > Bahasa Inggris Bahasa dan Kesusastraan > Sastra Inggris
Divisions:	FBS > S1 Sastra Inggris
Depositing User:	Zhelva Syazwina Putri .
Date Deposited:	18 Aug 2026 08:53
Last Modified:	18 Aug 2026 08:53
URI:	http://repository.unj.ac.id/id/eprint/71297

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