SIMBOL SIMBOL CINTA DALAM NASYID PERNIKAHAN KARYA MUHAMMAD AL MUQIT: KAJIAN SEMIOTIKA

MUHAMMAD AMRI SYAKIR, . (2026) SIMBOL SIMBOL CINTA DALAM NASYID PERNIKAHAN KARYA MUHAMMAD AL MUQIT: KAJIAN SEMIOTIKA. Sarjana thesis, UNIVERSITAS NEGERI JAKARTA.

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Abstract

Muhammad Amri Syakir, “Simbol-Simbol Cinta dalam Nasyid Pernikahan Karya Muhammad Al Muqit: Kajian Semiotika Michael Riffaterre”. Skripsi. Jakarta: Program Studi Pendidikan Bahasa Arab, Fakultas Bahasa dan Seni, Universitas Negeri Jakarta, 2026. Penelitian ini bertujuan untuk mendeskripsikan bentuk-bentuk simbol cinta serta menginterpretasikan makna simbol cinta dalam nasyid pernikahan karya Muhammad Al Muqit dengan menggunakan pendekatan semiotika Michael Riffaterre. Penelitian ini merupakan penelitian sastra dengan metode kualitatif deskriptif-analitis berbasis studi kepustakaan. Data penelitian berupa dua puluh empat (24) unit teks yang diambil dari empat nasyid pernikahan karya Muhammad Al Muqit, yaitu ‘Arūsatu an-Nūr, Tahānī al-Ḥubb, Yā Bahjata al-Akwān, dan Tazayyanat as-Sa‘ādah, yang mengandung simbol-simbol cinta. Data dikumpulkan melalui studi kepustakaan dengan teknik menyimak dan mencatat, kemudian dianalisis menggunakan sebagian konsep semiotika Michael Riffaterre melalui pembacaan heuristik, pembacaan hermeneutik, serta mekanisme ketidaklangsungan ekspresi (indirection), dengan fokus pada penggantian arti (displacing of meaning). Hasil penelitian menunjukkan bahwa ditemukan dua puluh tujuh (27) simbol cinta yang diklasifikasikan ke dalam empat poros utama, yaitu poros cahaya dan pencerahan spiritual (4 simbol), poros alam dan keindahan (12 simbol), poros nilai moral dan komitmen (5 simbol), serta poros doa dan keberkahan (6 simbol). Poros alam dan keindahan merupakan poros yang paling dominan, yang menunjukkan bahwa Muhammad Al Muqit lebih banyak memanfaatkan unsur-unsur alam untuk menggambarkan cinta dan pernikahan dalam perspektif Islam. Analisis juga menunjukkan bahwa seluruh simbol mengalami mekanisme penggantian arti (displacing of meaning), sedangkan mekanisme penyimpangan arti (distorting of meaning) dan penciptaan arti (creating of meaning) tidak ditemukan secara jelas. Dengan demikian, nasyid pernikahan karya Muhammad Al Muqit merepresentasikan konsep cinta dalam Islam melalui simbol-simbol yang mencerminkan kesucian, kasih sayang, tanggung jawab moral, serta doa dan keberkahan dalam kehidupan rumah tangga. Kata kunci: simbol cinta, nasyid pernikahan, semiotika Michael Riffaterre, Muhammad Al Muqit/ ***** Muhammad Amri Syakir. “Symbols of Love in Wedding Nasheeds by Muhammad Al Muqit: A Semiotic Study of Michael Riffaterre”. Undergraduate Thesis. Jakarta: Arabic Language Education Study Program, Faculty of Languages and Arts, Universitas Negeri Jakarta, 2026. This study aims to describe the forms of love symbols and interpret their meanings in the wedding nasheeds of Muhammad Al Muqit using Michael Riffaterre’s semiotic approach. This research employed a descriptive-analytical qualitative method based on library research. The research data consisted of twenty-four (24) textual units extracted from four wedding nasheeds by Muhammad Al Muqit, namely Arūsatu an-Nūr, Tahānī al-Ḥubb, Yā Bahjata al-Akwān, and Tazayyanat as-Sa‘ādah, which contain symbols of love. The data were collected through library research using listening and note-taking techniques and were analyzed using selected concepts of Michael Riffaterre’s semiotics through heuristic reading, hermeneutic reading, and the mechanism of indirection, with a particular focus on displacing of meaning. The findings reveal that 27 symbols of love were identified and classified into four main categories: the axis of light and spiritual illumination (4 symbols), the axis of nature and beauty (12 symbols), the axis of moral values and commitment (5 symbols), and the axis of prayer and blessing (6 symbols). The findings also indicate that the axis of nature and beauty is the most dominant category, suggesting that Muhammad Al Muqit predominantly employs elements of nature and beauty as the primary expressive medium for portraying love and marriage, while simultaneously emphasizing religious and moral values through the categories of prayer and blessing as well as moral values and commitment. Furthermore, the analysis demonstrates that all love symbols in the data undergo the mechanism of displacing of meaning, in which lexical meanings shift into symbolic meanings according to the poetic context. Meanwhile, the mechanisms of distorting of meaning and creating of meaning were not clearly identified in the analyzed data. Therefore, this study concludes that Muhammad Al Muqit’s wedding nasheeds are not merely celebratory songs but also literary works that represent the Islamic concept of love through symbolic expressions portraying purity, affection, moral responsibility, prayer, and divine blessings in married life. Keywords: symbols of love, wedding nasheeds, Michael Riffaterre's semiotics, Muhammad Al Muqit.

Item Type:	Thesis (Sarjana)
Additional Information:	1). Prof. Dr. Nuruddin, M.A. 2). Dr. Siti Jubaidah, M.A.
Subjects:	Bahasa dan Kesusastraan > Semiotik dan Semantik Bahasa dan Kesusastraan > Bahasa Arab Bahasa dan Kesusastraan > Sastra Arab
Divisions:	FBS > S1 Pendidikan Bahasa Arab
Depositing User:	Muhammad Amri Syakir .
Date Deposited:	26 Aug 2026 04:06
Last Modified:	26 Aug 2026 04:06
URI:	http://repository.unj.ac.id/id/eprint/73173

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