BAHAYA TEROR PENYALAHGUNAAN ARTIFICIAL INTELLIGENCE DALAM PENCIPTAAN KARYA SENI RUPA NEW MEDIA ART

KHOIRUL IBRAHIM SANJAYA, . (2026) BAHAYA TEROR PENYALAHGUNAAN ARTIFICIAL INTELLIGENCE DALAM PENCIPTAAN KARYA SENI RUPA NEW MEDIA ART. Sarjana thesis, UNIVERSITAS NEGERI JAKARTA.

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Abstract

Penciptaan karya seni instalasi New Media Art yang berjudul "Synthetic Identity" ini lahir dari pengalaman traumatis perupa yang pernah menjadi korban pemerasan siber lewat rekayasa video berbasis Artificial Intelligence (AI). Penelitian ini menggunakan metode artistic research yang mengintegrasikan proses refleksi personal ke dalam tahapan konseptualisasi, eksperimentasi media, hingga eksekusi visual. Untuk membedah fenomena ini secara kritis, perupa menerapkan teori Simulacra dari Jean Baudrillard guna menganalisis bagaimana teknologi deepfake telah mengaburkan batasan antara realitas asli dan realitas buatan hingga memicu krisis kepercayaan publik di ruang siber. Secara visual, teror digital ini diwujudkan melalui manipulasi citra wajah manusia yang mengalami distorsi, kerusakan, serta tambahan elemen visual seperti Heads Up Display dan scanlines untuk menciptakan kesan yang tegang dan mengancam. Pada aspek operasional, perupa menggabungkan media analog dan digital secara interaktif. Perangkat fisik seperti televisi CRT, handycam, dan laptop diintegrasikan dengan sistem pemrograman Python, Visual Code Studio dan OBS Studio untuk memproses wajah audiens secara real-time. Gabungan instalasi ini menjadi metafora dari siklus produksi teror siber yang terjadi di dunia nyata. Melalui karya "Synthetic Identity", perupa berhasil mengubah trauma menjadi pemantik kesadaran (social alarm) bagi masyarakat mengenai pentingnya kewaspadaan siber dan literasi digital dalam menghadapi realitas buatan. Kata Kunci: Artificial Intelligence, Artistic Research, Deepfake, New Media Art, Simulacra. ***** This New Media Art installation, titled "Synthetic Identity," is born out of the artist's traumatic firsthand experience of cyber extortion involving AI manipulated footage. This study employs an artistic research methodology, seamlessly integrating personal reflection into the stages of conceptualization, media experimentation, and visual execution. To critically dissect this phenomenon, the artist applies Jean Baudrillard’s theory of Simulacra to analyze how deepfake technology blurs the line between actual reality and artificial reality, ultimately triggering a widespread crisis of public trust in cyberspace. Visually, this digital terror is manifested through the manipulation of human facial imagery subjected to distortion, corruption, and the addition of visual elements such as Heads-Up Displays and scanlines to construct a tense and threatening impression. Operationally, the artist incorporates an interactive blend of analog and digital mediums. Physical hardware including a CRT television, a handycam, and a laptop are integrated with a programming system using Python, Visual Studio Code, and OBS Studio to process the audience's faces in real-time. This combined installation serves as a metaphor for the real-world production cycle of cyber terror. Ultimately, through the artwork "Synthetic Identity," the artist succeeds in transforming personal trauma into a social alarm, urging the public to recognize the importance of cybersecurity awareness and digital literacy when navigating today's synthetic realities. Keywords: Artificial Intelligence, Artistic Research, Deepfake, New Media Art, Simulacra.

Item Type:	Thesis (Sarjana)
Additional Information:	1). Agam Akbar Pahala, S.Pd., M.Sn. ; 2). Budiman Akbar, M.Sn.
Subjects:	Kesenian > Seni Rupa, Fotografi
Divisions:	FBS > S1 Pendidikan Seni Rupa
Depositing User:	Users 37486 not found.
Date Deposited:	31 Aug 2026 02:29
Last Modified:	31 Aug 2026 02:29
URI:	http://repository.unj.ac.id/id/eprint/73485

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