PERISTIWA LIMINAL DAN EKSPRESI TUBUH DALAM PROSESI TARAWANGSA PADA UPACARA NGALAKSA DI RANCAKALONG SUMEDANG

RATU SEKAR KUMALA GAYATRI, . (2026) PERISTIWA LIMINAL DAN EKSPRESI TUBUH DALAM PROSESI TARAWANGSA PADA UPACARA NGALAKSA DI RANCAKALONG SUMEDANG. Sarjana thesis, UNIVERSITAS NEGERI JAKARTA.

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Abstract

Penelitian yang berjudul “Peristiwa Liminal dan Ekspresi Tubuh dalam Prosesi Tarawangsa Pada Upacara Ngalaksa di Rancakalong Sumedang.” Bertujuan untuk menganalisis ketertarikan masyarakat luar dalam mengikuti prosesi Tarawangsa, proses terbentuknya peristiwa liminal melalui ekspresi tubuh, serta pengalaman yang dirasakan selama prosesi berlangsung. Menggunakan metode kualitatif pendekatan etnografi. Data diperoleh melalui observasi partisipatif, wawancara mendalam, dokumentasi, dan studi pustaka. Analisis penelitian menggunakan teori The Ritual Process Victor Turner melalui tahapan separation, liminality, dan reaggregation sebagai teori utama, serta teori Performance Studies Richard Schechner melalui konsep ritual as performance, restored behavior, dan transportation sebagai teori pendukung. Hasil penelitian menunjukkan bahwa ketertarikan masyarakat bukan berasal dari keinginan menyaksikan tradisi, tetapi dorongan pada budaya, spiritual dan keinginan merasakan suasana ritual secara langsung. Peristiwa liminal terbentuk secara bertahap ketika peserta meninggalkan aktivitas keseharian, terlibat dalam suasana ritual, kemudian kembali pada kehidupan sehari-hari setelah prosesi berakhir. Pengalaman tersebut tampak melalui perubahan perhatian, gestur, postur, ekspresi wajah, motif gerak, dan respons emosional peserta. ***** This study, entitled “Liminal Events and Bodily Expression in the Tarawangsa Procession of the Ngalaksa Ceremony in Rancakalong, Sumedang,” aims to analyze the interest of people from outside Rancakalong in participating in the Tarawangsa procession, the formation of liminal events through bodily expression, and the experiences felt during the procession. This study employed a qualitative method with an ethnographic approach. Data were collected through participant observation, in-depth interviews, documentation, and literature review. The analysis used Victor Turner’s The Ritual Process through the stages of separation, liminality, and reaggregation as the main theoretical framework, supported by Richard Schechner’s Performance Studies through the concepts of ritual as performance, restored behavior, and transportation. The findings show that public interest was not merely driven by a desire to observe the tradition, but also by cultural and spiritual motivations and the desire to experience the ritual atmosphere directly. The liminal event developed gradually as participants left their daily activities, became involved in the ritual atmosphere, and returned to everyday life after the procession ended. These experiences were reflected in changes in attention, gestures, posture, facial expressions, movement motifs, and emotional responses.

Item Type:	Thesis (Sarjana)
Additional Information:	1). Ojang Cahyadi, S.Sn., M.Pd. ; 2). Dr. Deden Haerudin, S.Sn., M.Sn.
Subjects:	Kesenian > Seni Tari Olah Raga dan Seni Pertunjukan > Seni Pertunjukan
Divisions:	FBS > S1 Pendidikan Tari
Depositing User:	Ratu Sekar Kumala Gayatri .
Date Deposited:	03 Sep 2026 08:08
Last Modified:	03 Sep 2026 08:08
URI:	http://repository.unj.ac.id/id/eprint/73707

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