VENNY APTIKA, . (2021) VISUALISASI FENOMENA AIK RAWANG DAN DAMPAKNYA BAGI MASYARAKAT KETAPING MELALUI KARYA TARI KINJAGH. Sarjana thesis, UNIVERSITAS NEGERI JAKARTA.
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Abstract
ABSTRAK Venny Aptika, Visualisasi Fenomena Aik Rawang dan Dampaknya Bagi Masyarakat Desa Ketaping Melalui Karya Tari “Kinjagh”. Laporan Penulisan Hasil Karya Tari. Program Studi Pendidikan Tari Fakultas Bahasa dan Seni, Universitas Negeri Jakarta. 2021. Karya tari ini terinspirasi dari masyarakat Desa Ketaping yang mayoritas mata pencariannya sebagai petani padi, sehinggah terciptalah sebuah judul yaitu kinjagh yang artinya sebuah wadah atau tempat untuk membawa hasil panen dan peralatan untuk para petani. Kinjagh merupakan alat tradisional dari Bengkulu yang masih terjaga keasliannya. Desa ketaping ini pada tahun 2019 silam terkenah banjir bandang atau aik rawang yang mengakibatkan pertanian mereka hanyut di bawah arus, dan tidak hanya itu rumah-rumah penduduk pun hancur akibat kejadian ini. Metode penciptaan karya tari ini menggunakan metode dari Alma M. Hawkins. Tahap-tahapnya yaitu mengalami dan mengungkapkan, melihat, merasakan, menghayalkan, mengejewantakan,dan pembentukan. Proses penciptaan dalam karya tari yaitu, mencari ide, menghayalkan, merasakan,eksplorasi, pembentukan, penyelesaian dan evaluasi. Teknik pengumpulan data menggunakan teknik wawancara, observasi dan studi pustaka. Perwujudan karya tari yang dihasilkan berupa komposisi gerak tari yang di kembangkan dari gerak tari andun yang berasal dari Bengkulu. Tari kinjagh menggunakan tipe tari dramatik kerucut tunggal. Kata kunci : Kinjagh, Desa Ketaping, Aik Rawang. ABSTRACT Venny Aptika, Visualization of Aik Rawang Phenomenon and Its Impact on Ketaping Village Communities through the "Kinjagh" Dance Work. Report on Writing Dance Work. Dance Education Study Program, Faculty of Language and Arts, Jakarta State University. 2021. This dance work was inspired by the people of Ketaping Village, whose majority of livelihoods are rice farmers, so that a title was created, namely kinjagh, which means a container or a place to bring crops and tools to farmers. The authenticity of the kinjagh is a traditional tool from Bengkulu. In 2019, this ketaping village was hit by flash floods or aik rawang which caused their farms to drift under the current, and not only that, people's houses were destroyed due to this incident. The method of creating this dance work uses the method of Alma M. Hawkins. The stages are experiencing and expressing, seeing, feeling, imagining, manifesting, and forming. The process of creation in dance works, namely, looking for ideas, imagining, feeling, exploring, forming, completing and evaluating. Data collection techniques using interview techniques, observation and literature study. The embodiment of the resulting dance work is a composition of dance movements developed from the danun dance originating from Bengkulu. The kinjagh dance uses a single cone dramatic dance type. Keywords: Kinjagh, Ketaping Village, Aik Rawang.
Item Type: | Thesis (Sarjana) |
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Additional Information: | 1). Dra. Rahmida Setiwati, MM. 2). Tuteng Suwandi, S.Kar., M.Pd. |
Subjects: | Kesenian > Seni Tari |
Divisions: | FBS > S1 Pendidikan Tari |
Depositing User: | Users 9626 not found. |
Date Deposited: | 03 Mar 2021 01:19 |
Last Modified: | 03 Mar 2021 01:19 |
URI: | http://repository.unj.ac.id/id/eprint/13980 |
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