MAKNA SIMBOLIK TARI NANDAK GANJEN DI SANGGAR RATNA SARI MENURUT TEORI SEMIOTIKA PEIRCE

SALMA PUTRI, SALMA (2024) MAKNA SIMBOLIK TARI NANDAK GANJEN DI SANGGAR RATNA SARI MENURUT TEORI SEMIOTIKA PEIRCE. Sarjana thesis, UNIVERSITAS NEGERI JAKARTA.

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Abstract

>>>>>>ABSTRAK<<<<<< Tari Nandak Ganjen merupakan tari kreasi Betawi yang di produksi oleh Sanggar Ratna Sari dengan koregrafer Sukirman Alm. Entong Sukirman dan penata tari Atien Kisam pada tahun 1996. Penelitian ini di fokuskan pada mengkaji makna simbolik tari Nandak Ganjen dari unsur tari yaitu gerak, tata busana, tata rias dan iringan musik dan fenomena kesalahan pakem gerak tari Nandak Ganjen. Teori yang digunakan peneliti yaitu teori semiotika oleh Charles Sanders Peire. Menurut Peirce dalam mengkaji makna dan simbol menggunakan logika dan memakai Trikotomi Firstness (Qualisign, Sinsign, Legisign), Secondness (Icon, Index, Symbol), Thridness (Rheme, Dicent Sign , Argument). Penelitian ini menggunakan metode penelitian kualitatif, yang berdasarkan pada filsafat yang digunakan untuk meneliti pada kondisi objek alamiah. Peneliti melakukan Teknik pengumpulan data dilakukan secara triangulasi yaitu observasi, wawancara, dokumentasi, data yang di peroleh yaitu data deskriptif, analisis data bersifat kualitatif, dan hasil penelitian yang sudah di data bersifat untuk memahami makna dan mengkonstruksi fenomena. Tari Nandak Ganjen yang menceritakan tentang Anak Perempuan yang sedang beranjak dewasa yang berperilaku centil dan sangat bersemangat. Bentuk Tari Nandak Ganjen yang diteliti makna simboliknya terdiri dari gerak, tata busana, tata rias, dan iringan tari. Berdasarkan hasil penelitian tari Nandak Ganjen termasuk yang memiliki fakta dan kejadian nyata, selanjutnya memilki karakter tersendiri, dan makna yang sesuai kenyaatan dan berupa kebenaran dengan sesuatu yang terjadi. Kata Kunci: Bentuk, Makna simbolik, Tari Nandak Ganjen, Metode Penelitian Hasil Penelitian. >>>>>>ABSTRACT<<<<<< Nandak Ganjen dance is a Betawi creation dance produced by Sanggar Ratna Sari with choreographer Alm. Entong Sukirman and dance director Atien Kisam in 1996. This research focuses on examining the symbolic meaning of the Nandak Ganjen dance from dance elements, namely motion, fashion, makeup and musical accompaniment and the phenomenon of errors in the Nandak Ganjen dance. The theory used by researchers is the semiotic theory by Charles Sanders Peire. According to Peirce in examining the meaning and symbols using logic and using the Firstness Trichotomy (Qualisign, Sinsign, Legisign), Secondness (Icon, Index, Symbol), Thridness (Rheme, Dicent Sign , Argument). This research uses qualitative research methods, which are based on philosophies used to research on natural object conditions. Researchers conducted data collection techniques carried out in triangulation, namely observation, interviews, documentation, the data obtained was descriptive data, data analysis was qualitative, and the results of research that had been in the data were to understand the meaning and construct the phenomenon. Nandak Ganjen dance tells the story of a girl who is growing up who behaves coquettishly and is very excited. The form of Nandak Ganjen Dance which is examined for its symbolic meaning consists of movement, fashion, makeup, and dance accompaniment. Based on the results of the research, the Nandak Ganjen dance includes those that have facts and real events, then has its own character, and the meaning is in accordance with reality and in the form of truth with something that happens. Keywords: Form, Symbolic Meaning, Nandak Ganjen Dance, Research Methods Research Results.

Item Type:	Thesis (Sarjana)
Additional Information:	1)Dr. Deden Haerudin, S.Sn., M.Sn. 2)Drs. Ida Bagus Ketut Sudiasa, M.Sn.
Subjects:	Kesenian > Seni Tari
Divisions:	FBS > S1 Pendidikan Tari
Depositing User:	Salma Putri .
Date Deposited:	18 Nov 2025 03:47
Last Modified:	18 Nov 2025 03:47
URI:	http://repository.unj.ac.id/id/eprint/62803

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