NILAI RELIGIUS TARI BLENGGO PADA SANGGAR PUSAKA REBANA BIANG

MUTIA MAHARANI, . (2026) NILAI RELIGIUS TARI BLENGGO PADA SANGGAR PUSAKA REBANA BIANG. Sarjana thesis, UNIVERSITAS NEGERI JAKARTA.

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Abstract

Tari Blenggo adalah seni tradisional Betawi yang tidak hanya menghibur tetapi juga berfungsi sebagai cara untuk menyebarkan ajaran Islam dan mewariskan nilai religius. Namun, penelitian tentang nilai religius yang terkandung dalam tari Blenggo masih terbatas karena sebagian besar penelitian sebelumnya lebih berfokus pada aspek sejarah, bentuk pertunjukan, dan upaya pelestarian. Penelitian ini bertujuan untuk mendeskripsikan dan menganalisis nilai religius yang terkandung dalam Tari Blenggo di Sanggar Pusaka Rebana Biang, berdasarkan teori religius yang dikemukakan oleh Glock dan Stark. Penelitian ini menggunakan pendekatan kualitatif dengan metode studi kasus. Teknik pengumpulan data meliputi observasi, wawancara dengan narasumber, penelitian pustaka, dan analisis dokumen. Analisis data dilakukan menggunakan dari Miles dan Huberman, yang meliputi reduksi data, penyajian data, dan penarikan kesimpulan. Hasil penelitian menunjukkan bahwa nilai religius dalam Tari Blenggo tercermin melalui lima dimensi religiusitas menurut Glock dan Stark, yaitu dimensi kepercayaan, ibadah, kontemplasi, pengetahuan Agama, dan konsekuensi. nilai ini dapat dilihat dalam sejarah lahirnya tari Blenggo sebagai media dakwah Islam, dengan lagu-lagu yang berisi pujian, simbol gerakan yang mewakili ibadah, makna pakaian, dan perilaku para seniman dalam melestarikan dan menjaga tradisi. Tari Blenggo tidak hanya indah dipandang, tetapi juga membantu mewariskan nilai-nilai Agama dan identitas budaya masyarakat Betawi. *** The Blenggo dance is a traditional Betawi art form that not only entertains but also serves as a means of spreading Islamic teachings and transmitting religious values. However, research on the religious values inherent in the Blenggo dance is still limited, as most previous studies have focused on historical aspects, performance styles, and preservation efforts. This study aims to describe and analyze the religious values embodied in the Blenggo dance at the Sanggar Pusaka Rebana Biang, based on the religious theory proposed by Glock and Stark. This research employed a qualitative approach with a case study method. Data collection techniques included observation, interviews with informants, library research, and document analysis. Data analysis was conducted using the Miles and Huberman methodology, which includes data reduction, data presentation, and drawing conclusions. The results indicate that the religious values in the Blenggo dance are reflected through Glock and Stark's five dimensions of religiosity: belief, worship, contemplation, religious knowledge, and consequences. These values can be seen in the history of the Blenggo Dance's birth as a medium for Islamic preaching, with songs filled with praise, symbolic movements representing worship, the meaning of clothing, and the artists' behavior in preserving and upholding traditions. The Blenggo Dance is not only beautiful to look at, but also helps pass on the religious values and cultural identity of the Betawi people.

Item Type:	Thesis (Sarjana)
Additional Information:	1. Drs. Ida Bagus Ketut Sudiasa, M.Sn. 2. Dr. Romi Nursyam, S.Sn.,M.Sn.
Subjects:	Kesenian > Seni Tari
Divisions:	FBS > S1 Pendidikan Tari
Depositing User:	Mutia Maharani .
Date Deposited:	27 Aug 2026 02:14
Last Modified:	27 Aug 2026 02:14
URI:	http://repository.unj.ac.id/id/eprint/73358

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