EKRANASI KOMIK HADASHI NO GEN (1973) KE DALAM ANIMASI HADASHI NO GEN (1983). (KAJIAN SASTRA BANDINGAN)

DIMAS ARVIAN JULYANDA, . (2022) EKRANASI KOMIK HADASHI NO GEN (1973) KE DALAM ANIMASI HADASHI NO GEN (1983). (KAJIAN SASTRA BANDINGAN). Sarjana thesis, UNIVERSITAS NEGERI JAKARTA.

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Abstract

Tujuan penelitian ini adalah untuk mempelajari tiga bentuk perubahan ekranasi dalam teori Eneste yang terjadi pada ekranisasi komik Hadashi no Gen (1973) ke dalam animasi Hadashi no Gen (1983). Penelitian ini menggunakan objek berupa komik Hadashi no Gen (1973) karya Keiji Nakazawa dan animasi Hadashi no Gen (1983) karya Mori Masaki yang dikaji dengan kajian sastra bandingan. Peneliti menggunakan metode simak-catat untuk mengumpulkan data dari objek penelitian yang ada, kemudian penulis menginterpretasikannya dengan teknik deskriptif analisis dan menganalisa dengan teori tiga perubahan ekranasi Eneste. Selanjutnya,berdasarkan hasil analisis ditemukan berbagai implikasi dari ketiga teori dalam ekranisasi yang dilakukan Mori Masaki terhadap karya Keiji Nakazawa. Pengurangan, penambahan dan variasi adegan dengan berbagai teknik ekranasinya dilakukan Mori untuk memperoleh rangkaian plot dan pesan cerita sesuai yang Mori ingin sampaikan. Selain itu Mori juga memanfaatkan ketiga perubahan ekranasi ini untuk menghindari berbagai pelanggaran kode etik dan kontroversi lainnya dalam proses ekranisasinya. Kemudian dalam analisisnya, peneliti juga menemukan bahwa terdapat perbedaan pesan yang ingin disampaikan Mori dan Keiji dalam masingmasiing karyanya. Kemudian peneliti juga menemukan bahwa banyak unsur dalam kedua karya tersebut yang mengambil refrensi dari fakta dan realita. The purpose of this study was to study the three forms of transformational change in Eneste's theory that occurred in the ecranization of the comic Hadashi no Gen (1973) into the animation Hadashi no Gen (1983). This research uses objects in the form of the Hadashi no Gen comic (1973) by Keiji Nakazawa and the animation Hadashi no Gen (1983) by Mori Masaki which are studied with comparative literature studies. The researcher uses the note-taking method to collect data from existing research objects, then the author interprets it using descriptive analysis techniques and analyzes it with the theory of three changes in Eneste's ekranasi. Furthermore, based on the results of the analysis, various implications of the three theories in the ecranization carried out by Mori Masaki were found for the work of Keiji Nakazawa. Mori subtraction, addition and variation of scenes with various ekranasi techniques is done to obtain a series of plots and story messages according to what Mori wants to convey. In addition, Mori also took advantage of these three ecranization changes to avoid various violations of the code of ethics and other controversies in the ecranization process. Then in the analysis, the researcher also found that there were differences in the messages that Mori and Keiji wanted to convey in each of their works. Then the researcher also found that many elements in the two works took references from facts and reality.

Item Type:	Thesis (Sarjana)
Additional Information:	1). Tia Ristiawati, M.Hum. 2). Dr. Cut Erra Rismorlita, M.Si.
Subjects:	Bahasa dan Kesusastraan > Bahasa Jepang
Divisions:	FBS > S1 Pendidikan Bahasa Jepang
Depositing User:	Users 13416 not found.
Date Deposited:	18 Mar 2022 04:08
Last Modified:	18 Jan 2024 00:11
URI:	http://repository.unj.ac.id/id/eprint/24825

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