PRESUPPOSITION IN A HAUNTING IN VENICE MOVIE SCREENPLAY AND ITS INDICATION OF RATIONAL AND MYSTICAL BELIEF

NUR FAUZIANA HAKIM, . (2025) PRESUPPOSITION IN A HAUNTING IN VENICE MOVIE SCREENPLAY AND ITS INDICATION OF RATIONAL AND MYSTICAL BELIEF. Sarjana thesis, UNIVERSITAS NEGERI JAKARTA.

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Abstract

Orang-orang umumnya membuat asumsi terhadap apa yang mereka yakini atau pahami dari perkataan lawan bicaranya, dan Yule (1996) mendefinisikan asumsi-asumsi ini sebagai Presupposition atau Praanggapan. Penggunaan praanggapan sendiri juga dapat mencerminkan kecenderungan kepercayaan seseorang. Penelitian ini menggunakan metode kualitatif untuk menganalisis jenis-jenis praanggapan yang digunakan dalam naskah film A Haunting in Venice (2023) serta indikasinya terhadap dua kepercayaan yang berlawanan, yaitu rasional dan mistis. Hasil penelitian menunjukkan bahwa terdapat 163 Praanggapan dari semua tipe muncul dalam naskah film ini, yakni eksistential (43,56%), faktif (11,04%), leksikal (30,67%), struktural (7,36%), nonfaktif (3,07%), dan kontrafaktual (4,29%). Dominasi tipe eksistential dalam penelitian ini dipengaruhi oleh cara kerja kata pemicu praanggapan serta kaitannya dalam menekankan konflik. Selain itu, penggunaan praanggapan oleh karakter-karakter dalam naskah film juga mencerminkan kepercayaan mereka yang saling berlawanan, yaitu kepercayaan rasional dan mistis. Melalui teori binary opposition, atau oposisi biner, dari Levi Strauss (1963), hasil penelitian menunjukkan bahwa dua karakter dengan kepercayaan berlawanan mengalami transisi dalam keyakinan dan kepastian mereka, meskipun pada akhirnya kepercayaan rational tetap lebih dominan dibandingkan kepercayaan mistis. ***** People commonly make assumptions about what they believe or understand from their interlocutors’ utterances, and Yule (1996) defines these assumptions as presupposition. The use of presupposition can also reflect people’s tendency of beliefs. This study applies qualitative method to analyse the types of presupposition employed in A Haunting in Venice (2023) movie screenplay and its indication of two opposing beliefs such as rational and mystical. The findings revealed 163 presuppositions, with all types occur such as existential (43,56%), factive (11,04%), lexical (30,67%), structural (7,36%), nonfactive (3,07%), and counterfactual (4,29%). The domination of existential presupposition is affected by how the trigger functions and how it correlates to emphasize the conflict. Furthermore, the characters’ use of presupposition also reflects their opposing beliefs, such as rational and mystical. Through the lens of binary opposition by Levi Strauss (1963), the finding revealed that two characters with opposing beliefs experience a transition in their belief and certainty, though rational belief remains more superior than the mystical belief ultimately.

Item Type:	Thesis (Sarjana)
Additional Information:	1). Aisah, M.Hum. ; 2). Nurina Azyyati, M.Hum.
Subjects:	Bahasa dan Kesusastraan > Linguistik Bahasa dan Kesusastraan > Sastra Inggris
Divisions:	FBS > S1 Sastra Inggris
Depositing User:	Nur Fauziana Hakim .
Date Deposited:	14 Aug 2025 09:10
Last Modified:	14 Aug 2025 09:10
URI:	http://repository.unj.ac.id/id/eprint/61182

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