THE PORTRAYAL OF ABANDONMENT AND ACCEPTANCE IN FRANKENSTEIN (2025)

FAYZAN HAMID, . (2026) THE PORTRAYAL OF ABANDONMENT AND ACCEPTANCE IN FRANKENSTEIN (2025). Sarjana thesis, UNIVERSITAS NEGERI JAKARTA.

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Abstract

Penelitian ini menganalisis penggambaran tentang pengabaian dan penerimaan dalam film Frankenstein (2025) dengan menerapkan teori Three Registers Jacques Lacan untuk menyoroti bagaimana penelantaran dan penerimaan dipersepsikan dan dialami oleh para tokoh melalui pencerminan, simbol, dan bahasa, serta film Boggs & Petrie dalam The Art of Watching Films untuk mengurai makna di balik citra visual menggunakan tangkapan layar. Metode penelitian kualitatif digunakan dalam skripsi ini, yang berfokus pada penerapan deskriptif. Temuan menunjukkan bahwa penelantaran paling jelas terlihat dalam hubungan antara Victor dan Makhluk, di mana citra diri Victor hancur sejak usia dini akibat perlakuan kasar dari ayahnya, yang mendistorsi Register Imajiner dalam jiwanya dan secara simbolis mengulangi siklus tersebut pada ciptaannya. Sebaliknya, penerimaan direpresentasikan melalui tindakan kebaikan yang ditunjukkan oleh karakter seperti Elizabeth, lelaki tua buta, dan pada akhirnya Victor sendiri, yang memungkinkan Makhluk tersebut mengalami momen-momen penerimaan meskipun berulang kali ditolak oleh masyarakat. Pada akhirnya, penelitian ini menyimpulkan bahwa hubungan antara pencipta dan ciptaan berkembang dari hubungan yang ditandai oleh penolakan menjadi hubungan yang mencapai rekonsiliasi melalui pengakuan timbal balik, yang menunjukkan pentingnya tiga register Lacan dalam memahami lapisan psikologis film tersebut. **** This study analysed the portrayal of both abandonment and acceptance in the film Frankenstein (2025) by employing Jacques Lacan’s Three Registers to highlight how abandonment and acceptance are perceived and experienced by the characters through mirroring, symbols, and language, and Boggs & Petrie’s film theory in The Art of Watching Films to unravel the meaning behind the visual imagery using screen captures. A qualitative research method was used for this thesis, which focuses on a descriptive application. The findings showed that abandonment was most identifiable between the relationship of Victor and the Creature, where Victor’s self-image was shattered from a young age due to abuse from his father, distorting the Imaginary register within his psyche and symbolically repeating the cycle onto his creation. In contrast, acceptance was represented through acts of kindness shown by characters such as Elizabeth, the blind old man, and eventually Victor himself, allowing the Creature to experience moments of belonging despite being repeatedly disapproved of by society. Ultimately, the study concluded that the creator and creation relationship developed from one defined by rejection to one that achieves reconciliation through mutual recognition, showing the significance of Lacan’s three registers in understanding the psychological layer of the film.

Item Type:	Thesis (Sarjana)
Additional Information:	1). Atikah Ruslianti, S.S., M.Hum. 2). Diyantari, S.S., M.App.Ling.
Subjects:	Bahasa dan Kesusastraan > Kesusastraan > Teori Sastra Bahasa dan Kesusastraan > Sastra Inggris
Divisions:	FBS > S1 Sastra Inggris
Depositing User:	Fayzan Hamid .
Date Deposited:	19 Aug 2026 09:20
Last Modified:	19 Aug 2026 09:20
URI:	http://repository.unj.ac.id/id/eprint/72250

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