MAKNA SIMBOLIK PADA GERAK TARI ANDUN DI MANNA KABUPATEN BENGKULU SELATAN

LOLA ANEKA PUTRI, . (2026) MAKNA SIMBOLIK PADA GERAK TARI ANDUN DI MANNA KABUPATEN BENGKULU SELATAN. Sarjana thesis, UNIVERSITAS NEGERI JAKARTA.

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Abstract

Penelitian ini bertujuan untuk menganalisis makna simbolik gerak Tari Andun di Manna, Kabupaten Bengkulu Selatan menggunakan perspektif semiotika Ferdinand de Saussure. Penelitian ini menggunakan metode kualitatif deskriptif dengan teknik pengumpulan data berupa observasi lapangan pada Bimbang Adat, wawancaramendalam bersama tokoh adat, pemusik, dan penari, serta studi pustaka, dan studi dokumen. Hasil penelitian mengungkapkan struktur koreografi utuh yang dibangun oleh lima unsur esensial: gerak, musik iringan, tata rias/busana, properti, dan pola lantai. Berdasarkan analisis hubungan penanda (signifier) dan petanda (signified), ragam gerak maknawi seperti Sembah, Membukak, naup, dan Nyentang secara simbolis merepresentasikan nilai penghormatan, keterbukaan, gotong royong, keselarasan sosial, serta ketegasan moral. Nilai-nilai filosofis ini diperkuat oleh iringan ansambel Kelintang, busana adat yang sopan, properti keris dan selendang, serta pola lantai melingkar yang mencerminkan ikatan kekeluargaan masyarakat suku Serawai. Kesimpulannya, Tari Andun bukan sekadar hiburan visual, melainkan sistem tanda kompleks yang mentransmisikan pandangan hidup, tatanan moral, dan identitas budaya masyarakat Bengkulu Selatan. Kata kunci: makna simbolik, Tari Andun, semiotika, Ferdinand de Saussure,suku Serawai. ***** This study aims to analyze the symbolic meaning of the movements in the Andun Dance of Manna, South Bengkulu Regency, using Ferdinand de Saussure’s semiotic perspective. It employs a descriptive qualitative method, utilizing data collection techniques such as field observations during the Bimbang Adat (traditional ceremony), in-depth interviews with traditional leaders, musicians, and dancers, as well as literature and document reviews. The research findings reveal a cohesive choreographic structure composed of five essential elements: movement, musical accompaniment, makeup and costumes, props, and floor patterns. Based on an analysis of the relationship between signifier and signified, meaningful movement variations—such as Sembah, Membukak, naup, and Nyentang—symbolically represent values of respect, openness, mutual cooperation (gotong royong), social harmony, and moral steadfastness. These philosophical values are reinforced by the Kelintang ensemble accompaniment, modest traditional attire, props such as the keris and selendang (sash), and circular floor patterns that reflect the kinship ties of the Serawai people. In conclusion, the Andun Dance is not merely visual entertainment but a complex system of signs that conveys the worldview, moral order, and cultural identity of the South Bengkulu community. Keywords: symbolic meaning, Andun Dance, semiotics, Ferdinand de Saussure Serawai tribe

Item Type:	Thesis (Sarjana)
Additional Information:	1). Dr. Romi Nursyam, S.sn., M.Pd. ; 2). Ni Ketut Santi Sukma Melati, S.Sn.,M.Sn.
Subjects:	Kesenian > Seni Tari
Divisions:	FBS > S1 Pendidikan Tari
Depositing User:	Lola Aneka Putri .
Date Deposited:	27 Aug 2026 07:37
Last Modified:	27 Aug 2026 07:37
URI:	http://repository.unj.ac.id/id/eprint/73400

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