TARI GITEK BALEN SEBAGAI REPRESENTASI KESENIAN BETAWI

MAULITA MEYSANTI SETIAWAN, . (2025) TARI GITEK BALEN SEBAGAI REPRESENTASI KESENIAN BETAWI. Sarjana thesis, UNIVERSITAS NEGERI JAKARTA.

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Abstract

Maulita Meysanti Setiawan, 1207621018, 2025. Tari Gitek Balen Sebagai Representasi Kesenian Betawi. Program Studi Pendidikan Tari, Fakultas Bahasa dan Seni, Universitas Negeri Jakarta. Tari Gitek Balen adalah tari kreasi Betawi yang lahir dari pengembangan gerak Topeng Betawi. Tarian ini menjadi media representasi budaya Betawi dan terus berkembang hingga kini, baik dalam gerak, iringan musik, maupun kostum. Penelitian ini menjelaskan bagaimana Tari Gitek Balen merepresentasikan budaya Betawi melalui gerak, musik, dan kostum, serta bagaimana perkembangan bentuk penyajiannya sejak diciptakan hingga tahun 2025. Menggunakan pendekatan kualitatif deskriptif dan teori semiotika Ferdinand de Saussure. Data dikumpulkan melalui wawancara, observasi, dan studi dokumentasi terhadap pencipta, penari, dan tiga sanggar tari, tari Gitek Balen menampilkan unsur budaya Betawi melalui sistem tanda pada gerak, musik gamelan Topeng, dan kostum yang khas. Tarian ini memiliki tiga versi penyajian dan kini menjadi bagian kurikulum di salah satu sanggar dan sekolah seni. Tari Gitek Balen merupakan karya tari kreasi baru yang mencerminkan jiwa gadis muda yang dinamis. Penyederhanaan gerak dan bentuk sajian menunjukkan adaptasi terhadap kebutuhan, namun esensi dan eksistensinya tetap terjaga hingga kini. Kata Kunci: Tari Gitek Balen, Kesenian Betawi, Representasi Budaya, Tari Kreasi, Semiotika, Ferdinand de Saussure, Gerak, Musik, Kostum, Tari Topeng, BudayaLokal. ***** Maulita Meysanti Setiawan, 1207621018, 2025. Gitek Balen Dance as a representation of Betawi art. Dance Education Study Program, Faculty of Languages and Arts, State University of Jakarta. The Gitek Balen Dance is a Betawi dance created from the development of the Betawi Mask movement. This dance has become a medium of representation of Betawi culture and continues to develop until now, both in movement, musical accompaniment, and costumes. This study explains how the Gitek Balen Dance represents Betawiculture through movement, music, and costumes, as well as how the form of its presentation has evolved since its creation until 2025. Using a descriptive qualitative approach and Ferdinand de Saussure's semiotic theory. Data collected through interviews, observations, and documentation studies of creators, dancers, and three dance studios, the GitekBalen dance features elements of Betawi culture through a system of signs on movement, gamelan mask music, and distinctive costumes. This dance has three versions of presentation and is now part of the curriculum in one of the studios and art schools. The Gitek Balen dance is a new dance creation thatreflects the dynamic soul of young girls. The simplification of movement and the form of the dish shows adaptation to needs, but its essence and existence are maintained until now. Keywords: Gitek Balen Dance, Betawi Arts, Cultural Representation, Creation Dance, Semiotics, Ferdinand de Saussure, Movement, Music, Costumes, Mask Dance, Local Cultur

Item Type:	Thesis (Sarjana)
Additional Information:	1). Drs. Ida Bagus Ketut Sudiasa, M.Sn. ; 2). Sulistiani, S.Hum., M.A.
Subjects:	Kesenian > Seni Tari
Divisions:	FBS > S1 Pendidikan Tari
Depositing User:	Maulita Meysanti Setiawan .
Date Deposited:	09 Sep 2025 03:18
Last Modified:	09 Sep 2025 03:18
URI:	http://repository.unj.ac.id/id/eprint/62378

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