TRANSFORMASI GERAK SILAT KOPREK BEKASI KE DALAM TARI KEMBANG KOPREK

ALYA NABILA PUTRI, . (2026) TRANSFORMASI GERAK SILAT KOPREK BEKASI KE DALAM TARI KEMBANG KOPREK. Sarjana thesis, UNIVERSITAS NEGERI JAKARTA.

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Abstract

Penelitian ini dilatarbelakangi oleh penciptaan Tari Kembang Koprek karya Budiman Tejasukmana, S.Pd. di Sanggar Trah Bekasi, sebuah tari kreasi baru yang melebur seni bela diri tradisional ke dalam karya koreografi. Penelitian ini menggunakan pendekatan kualitatif deskriptif dengan metode studi kasus. Teknik pengumpulan data dilakukan melalui observasi partisipatif pasif terhadap proses latihan dan pertunjukan, wawancara mendalam semi-terstruktur bersama koreografer, pendiri padepokan silat, serta penari, yang diperkuat dengan studi dokumentasi audio-visual. Data dianalisis menggunakan model interaktif Miles, Huberman, & Saldaña dengan pisau analisis utama Metode Konstruksi I–VIII dari Jacqueline Smith-Autard serta teori transformasi gerak (stilisasi, distorsi, dan adaptasi) dari Soedarsono. Hasil penelitian menunjukkan bahwa transformasi dilakukan dengan mengabstraksikan jurus dasar Silat Koprek (bandulan, rorod, sliwa, kotek, keprek, dan sepo) menjadi motif tari panggung melalui pengolahan dimensi gerak serta modifikasi ketukan padat silat ke dalam skema hitungan tari delapan kuantitatif (1–8) agar sinkron dengan iringan gamelan Topeng Bekasi. Proses stilisasi diterapkan pada motif tradisi dan gerak keseharian, distorsi digunakan untuk penegasan karakter gender serta temporal gerak, sementara adaptasi membuat penari wajib patuh mengikuti ritme kendang agar tidak keluar dari ritme (out-bit). Secara keseluruhan, Tari Kembang Koprek berhasil menampilkan dualisme karakter perempuan Bekasi secara simbolik yaitu kelembutan ("Kembang") dan kekuatan proteksi diri ("Koprek") melalui struktur naratif berdesain alur dramatik kerucut ganda yang dikemas secara estetis, komunikatif, serta memiliki fleksibilitas ruang pertunjukan yang adaptif. Kata Kunci: Silat koprek bekasi, Proses kreatif, Tari kembang koprek, Transformasi gerak. *********This research is grounded in the creation of Tari Kembang Koprek by Budiman Tejasukmana, S.Pd., at the Sanggar Trah Bekasi studio a newly created dance that integrates traditional martial arts into choreography. While many previous transformations of silat into dance merely transferred external physical forms, this study dissects the in-depth reconstruction of the unique characteristics of Silat Koprek Bekasi specifically its fast tempo, tight rhythm, intense dynamics, and internal bodily sounds as a representation of the resilience of Bekasi women. The study employs a descriptive qualitative approach using a case study method. Data collection involved passive participatory observation of rehearsal and performance processes, as well as semi-structured, in-depth interviews with the choreographer, the silat academy founder, and the dancers, all supplemented by an analysis of audio-visual documentation. Data were analyzed using the interactive model developed by Miles, Huberman, and Saldaña, utilizing Jacqueline Smith-Autard’s "Construction Methods I–VIII" and Soedarsono’s theory of movement transformation (stylization, distortion, and adaptation) as primary analytical frameworks. The results indicate that the transformation was achieved by abstracting basic Silat Koprek techniques (bandulan, rorod, sliwa, kotek, keprek, and sepo) into stage dance motifs; this involved manipulating movement dimensions and modifying the dense silat beat patterns into a standard eight-count dance structure (1–8) to synchronize with the Topeng Bekasi gamelan accompaniment. Stylization was applied to traditional motifs and everyday movements; distortion was used to emphasize gender characteristics and temporal dynamics; and adaptation required dancers to strictly adhere to the kendang (drum) rhythm to avoid falling out of time. Overall, Tari Kembang Koprek successfully presents the dual nature of Bekasi women gentleness (Kembang) and the strength of self-protection (Koprek) through a narrative structure featuring a "double-cone" dramatic arc. The work is aesthetically pleasing, communicative, and adaptable to various performance spaces. Keywords: Creative process, Kembang koprek dance, Movement transformation, Silat koprek bekasi.*

Item Type:	Thesis (Sarjana)
Additional Information:	1) Drs. Ida Bagus Ketut Sudiasa, M.Sn 2) Endik Guntaris, S.Pd., M.Pd
Subjects:	Kesenian > Seni Tari Olah Raga dan Seni Pertunjukan > Olahraga Beladiri Olah Raga dan Seni Pertunjukan > Seni Pertunjukan
Divisions:	FBS > S1 Pendidikan Tari
Depositing User:	Alya Nabila Putri .
Date Deposited:	20 Aug 2026 03:03
Last Modified:	20 Aug 2026 03:03
URI:	http://repository.unj.ac.id/id/eprint/71903

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